Reid Shippen, Mixer, Engineer, StudioPersonnel - Ian Fitchuk, Keyboards, AssociatedPerformer, Bass (Vocal) - Daniel Bacigalupi, Assistant Mixer, Asst. Tim O'Brien, Fiddle, Background Vocalist, AssociatedPerformer - Natalie Hemby, ComposerLyricist - Jon Randall, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Ross Copperman, Producer, Engineer, StudioPersonnel - Matt Chamberlain, Drums, Percussion, AssociatedPerformer - Buckley Miller, Editor, StudioPersonnel - F. Recording Engineer, StudioPersonnel - Scott Doser, Asst. Recording Engineer, StudioPersonnel - Rob McNelley, Electric Guitar, AssociatedPerformer - Jedd Hughes, Acoustic Guitar, Electric Guitar, AssociatedPerformer - Pete Lyman, Mastering Engineer, StudioPersonnel - Brian David Willis, Editor, StudioPersonnel - Jon Randall Stewart, Producer - Dierks Bentley, Background Vocalist, MainArtist, AssociatedPerformer - Alan Bradbury, Background Vocalist, AssociatedPerformer - Arturo Buenahora Jr., Producer, Executive Producer - Shani Gandhi, Editor, Engineer, StudioPersonnel - Brothers Osborne, FeaturedArtist - Dan Davis, Engineer, StudioPersonnel - Luke Dick, Acoustic Guitar, Electric Guitar, Percussion, Programming, Background Vocalist, AssociatedPerformer, ComposerLyricist - TJ Osborne, Background Vocalist, AssociatedPerformer - Alena Moran, Editor, StudioPersonnel - Michael Mechling, Asst.
Reid Shippen, Mixer, Engineer, Synth Bass, AssociatedPerformer, StudioPersonnel - Ian Fitchuk, Keyboards, AssociatedPerformer, Bass (Vocal) - Daniel Bacigalupi, Assistant Mixer, Asst. John Osborne, Electric Guitar, Background Vocalist, AssociatedPerformer - Bobby Pinson, ComposerLyricist - Ross Copperman, Producer, Engineer, StudioPersonnel - Matt Chamberlain, Drums, Drum Programmer, AssociatedPerformer - Buckley Miller, Editor, StudioPersonnel - F. © Stephen Thomas Erlewine /TiVo More info Generally, The Mountain is so skillful and polished, the songs glide by without effort, so it takes a little close listening to realize how well crafted the individual songs are, and how they combine together to make one of Bentley's best records. Bentley avoids both the humor and boozing that characterized his hits of the first half of the 2010s, choosing to pepper his songs of gratitude and love with earnest passion and telling little details (he falls in love on the L Train on "My Religion"). He's successful, because he winds up with a cunning and subtle blend of his craftmanship, country roots, and expansive musical interests. If that wasn't enough of a hint, the country singer brought in Jon Randall, his collaborator on the 2010 bluegrass album Up on the Ridge, to produce the part of The Mountain that Copperman didn't, signaling how Dierks intends to bridge the gap between his city and country sides.
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It's still a smooth, professional affair - it was produced in part by Ross Copperman, who helmed Black - but the imagery plays upon the outdoors and the West, enough to suggest this was a deliberate move on Bentley's part.
Last time he delivered an album, it was Black, a sleek and urban 2016 affair that found the singer/songwriter beginning to come to grips with an encroaching middle age, and while it was a commercial and artistic success, it was decidedly a city album. Buy the album Starting at $10.59Īs a title, The Mountain can't help but convey the great outdoors, which is surely Dierks Bentley's intention.
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Purchase and download this album in a wide variety of formats depending on your needs.